French Lingerie is rooted in a unique and rich cultural heritage and, above all, in superior trade expertise.
A unique expertise
French
Lingerie is rooted in a unique and rich cultural heritage and, above all, superior
trade expertise. AUBADE, CHANTELLE & PASSIONATA, EMPREINTE, MAISON LEJABY, ANTIGEL, ANTINÉA, EPRISE, EPURE, LISE CHARMEL, LOU, LOUISA BRACQ, IMPLICITE & SIMONE PÉRÈLE are all endowed with a exceptionally
robust creative know-how. They must consistently surprise the consumer, awaken
desire, and spearhead trends while simultaneously creating new, seductive and
comfortable lines that proactively meet women’s needs.
In this highly competitive world, all technical arenas must be perfectly
mastered and fashion-forward. Research, innovation and foresight have always
been - and will continue to be - the key to success in our Lingerie sector.
Designed in France
The
design workshops of French Lingerie members are all based in France. In some
cases, this goes back centuries: Aubade came into being through a
company founded by Dr Bernard in 1875. Chantelle saw the light a
year later. Empreinte was
born in 1946 and Simone Pérèle in 1948!
All these
brands have experienced periods of prosperity - euphoric times when lingerie had the wind in
its sails. They have also known less glorious times, but all of them were able
to adapt to globalization and market changes. One thing is certain: Their
expertise is incomparable and that capital is priceless!
Mythical collections
Each
brand launches at least two collections per year, each comprising at least ten
different lines. Some have achieved mythical status: who could forget Miss Top
or Liberty by MaisonLejaby, or Sunlight, Andora and Épure by Simone
Pérèle? Or Miss Lou or the brand’s net models? To this day, people
still talk about Aubade’s Bahia collection and Melody by Empreinte
– seamless bras made of moulded lace with positioned flower motifs.
Best-sellers - the Agrafe Cœur (front-fastening bra) and the String minimum
thong by Aubade, the Sole Mio or the Petal by Simone Pérèle, the
Africa model by Chantelle - are all likely to reappear from one
collection to the next. But brands must constantly INNOVATE. The consumer is
unaware that it takes more than eighteen months to produce a new bra model. We
rarely reveal what goes on ‘under’ the underwear!
The lingerie designer’s art
The
lingerie designer’s art consists of designing and adjusting (with precision
down to the millimeter) the twenty to thirty pieces that make up a bra. Everything
would be a lot simpler if there weren’t a multitude of fabrics from so many
different suppliers: lace from Calais, embroidery from St Gall, tulle, ribbons,
grosgrains, fasteners, cotton, silk, and cutting-edge elastic fabric from five
continents.
This causes unimaginable dyeing challenges: for each piece, color
conformity must be visually checked with great care or else color-management is
carried out with a spectrophotometer.
Seeking comfort
In
addition to color, the elasticity and tension of each fabric must be closely
monitored, since even the smallest component affects overall comfort for the
consumer. We must remember that lingerie is in direct, constant contact with the
skin.
All materials should therefore be dermatologically tested to ensure that
they do not contain any allergenic or carcinogenic substances. In the past, the lingerie designer or
corset-maker met face to face with the client. These days, there are many
players involved in every phase of the life of lingerie from the very first concept of the product right
through to the moment the consumer takes her lingerie out of the washing machine.
The lingerie designer must consider everything
in the course of implementing this complex logistical process.
Innovation
Our
manufacturers are constantly searching for tomorrow’s materials to help their
profession advance.
3D mesh, also used by Chantelle
and Passionata, lets the skin breathe, while a new generation of thermo
sensitive shells adapts to fit each breast.
Empreinte
also has a range of seamless zone-shaping products. They are manufactured from
a mesh that combines comfort and performance. Finally the Diva model, which
came out in 2011, can mold the guipure to a great depth - an exploit unto
itself!
Measuring up
Whatever
the production type, the "fitting" must be perfect for every size and
shape - and there are plenty of them! But overall, the goal remains the same:
in haute couture, it’s all about satisfying the needs of individual women while
respecting their differences and uniqueness.
Charming the world
And, of course, we have to charm! We must charm both French
and foreign clients by adapting to their needs and tastes, whether those pertain
to basic comfort or contemporary haute couture. We must also appeal to a range
of carefully studied price points, offering less expensive collections for
younger clients such as those offered by Passionata
and Lise Charmel with their Antinéa and Antigel lines.
Likewise,
we speak to the needs of full-busted women, as do Empreinte, Maison
Lejaby, Chantelle
or Lise Charmel’s Eprise, offering a range of products for
full-busted women with cups that go up to an H. And across this entire gamut,
we offer an expansive array of lush colors, impeccable quality, and
unparalleled customer service.
Our brands also charm the world in their range of
communications, from Aubade’s
famous lessons in seduction to the glamour of Nathalie Seymour posing for Chantelle
in front of Peter Lindbergh’s lens.
The desire springs
From Passionata’s humorous ads, to Aubade’s famous lessons in seduction, through the glamour of Nathalie Seymour posing for Chantelle
in front of Peter Lindbergh’s lens, communication has also changed a
great deal. Nowadays, giving clear information is a necessary part of
French Lingerie’s expertise. For that is the fountain from which desire
springs…